Few subjects arouse more passion among writers and designers than the debate over how many spaces should follow a period. If you adhere to a style manual, you’ll be hard-pressed to find one that doesn’t specify a single-space. Chicago and MLA specify one—debate … Continue reading
I recently responded to a question in a writers’ forum from an author who was in the process of designing a cover for her novel set in a swamp in New Orleans. “I chose a ‘swampy’ font that hangs down over the art to … Continue reading
The word processor has placed new burdens on writers to understand how to use italics, big and small capitals, dashes, hyphens, initials, etc. Writers who do their own typesetting often produce mediocre results. Likewise, trade publishers sacrifice typographic aesthetics when … Continue reading
My latest article on GraphicDesign.com discusses the difference between designers and production artists. What exactly is design? Do designers build projects or do they have a larger and more valuable role. What do designers really do? How can you find clients … Continue reading
Organic Design — Real design doesn’t look like a technology demonstration; real design looks like the work of a living, thinking person. In handwork, scuff marks from sanders or extraneous saw marks are unacceptable flaws. In digital design, the same standard applies; … Continue reading